"I recognized in many, but above all in you Filippo (Brunelleschi), and in our great friend the sculptor Donatello and in the others, Nencio (Ghiberti), Luca (Della Robbia), and Masaccio, a genius for every laudable enterprise in no way inferiour to any of the ancients who gained famed in these arts." Leon Battista Alberti (1436)
We are all moving targets seeking unique methods of self-expression. Our audiences are also part of the creative process, for without them we have no spirit to help define us.
The infinite permutations to which art can manifest itself are really a testament to the human spirit. Enter Leslie Kritzer.
In the underground New York scene, acclaimed actress Leslie Kritzer - who describes herself as a "performance artist who happens to be on Broadway" - is reviving a lost period in that city's cultural history. Her show "Leslie Kritzer is Patti Lupone at Les Mouches" pays homage to the legendary Tony Award winning Broadway performer she adored.
Not without credentials herself, Kritzer's body of work includes Funny Girl, Hairspray (on Broadway) and soon the theatre adaptation of the film Legally Blonde where she wil play the role of Serena; one of Elle's sorority friends.
She was nominated for a Drama Desk Award for her role as Pickles in The Great American Trailer Park Musical. Her work also includes Off-Boradway with Bat Boy and Godspell.
The question begs to be asked: Why Patti Lupone? "Patti Lupone used to perform at Les Mouches every Saturday night for six months circa 1980 during her run with Evita," Kritzer says. "It was an eclectic period, in that New York was still an uninhibited city.
"I eventually saw a bootleg of some of her shows and my friend and director, Ben Rimalower thought: Wouldn't it be cool if we brought a performing arts spin on Patti Lupone? We wanted to unearth and recreate, and bring a sense of her legendary shows to a 2006 audience. The response has been overwhelming."
Warning: Writer's Intrusion! Indeed, New York City throughout the 1970s was a hotbed of unhinged raw sexual human exploration. From the underworld characters of Lou Reed, to the confused cross-dressing precursors to punk, the New York Dolls, to the misfit cast of Saturday Night Live, NYC was where free spirits came to live and - sadly as AIDS devastatingly unleashed itself on the 1980s - die.
Ok. That's one side of the stage - excuse the pun - but is Patti Lupone aware of the show? "Yes. I would never do something like this without her blessing. In fact, the original musical director back then was David Lewis and he's now involved with this. It's been quite a ride. We listened to the badly damaged tapes and we've had to rearrange the music. We took all the best of the tapes and compiled a sort of 'six month best of' compilation. The cabaret scene is off the cultural landscape now and through my show I am giving glimpses of what it was like."
In music bands mimicking other bands are known as 'cover bands.' In acting, there is no equivalent term. Nonetheless, mastering the art of inhabiting someone as particular as Patti Lupone can't be easy. How does one prepare for this? "I didn’t have much time. One month to be exact. I had to learn and study her mannerisms. Her voice. Her laugh. Everything about Patti is distinct. I wanted to be as close to these Patti-isms as I could be without comprising my own voice and style."
I didn't want to let Leslie Kritzer go without briefly talking about bloggers.
As some readers have come to realize, there are many bloggers who use their blogs as a form of artistic expression. They are writers, philosophers, and artists all waiting to be discovered. In a way, the blogging community is similar to NYC around 1980 in that there are no rules. I asked Leslie what advice she had for frustrated bloggers? Her response was both practical and esoteric. "We all have a voice. You never know who is reading. Be persistent. I've had my share of ups and downs. Moments of vulnerability where I cried and didn't think I was good enough."
When I opined that I perversely welcome a dose of instability as a means of inspiration, she answered, "Yes. I do too! Too many writers are seeking validation in the wrong places. They think that if they get published they magically become writers. It's deeper than that. If you feel you are a writer then you are one. You make your own reality."
In a more "professionalized" New York world, Leslie Kritzer dipped into history - and summoned the ancients - to revive a lost and forgotten piece of Americana and an art form long dead. For all intents and purposes she has proven to be the equal of her ancestors, and this is all a talented and incomparable actress can ask for.
Thanks Scott.
Click here for photos from broadwayworld.com
If you wish to know more about Leslie click here to go to playbill.com
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